49024
THE CINEMATIC EXPERIENCE - FILM, CONTEMPORARY ART, MUSEUM / FILM, ARTE CONTEMPORANEA, MUSEO
aa. vv.
CINEMA
88-456-1147-6
272
| € 20 |  |
| Descrizione: |
| The research on the relationships between cinema and contemporary visual arts has expanded in different branches of analysis and studies. It opens itself up to a wide range of development areas, by comparing a variety of fields and methodological perspectives, and by considering all forms of contamination and hybridization between film and other forms of contemporary visual art, ranging from video-art to expanded cinema, from live performance to installation, from interactive media to net art, etc. While not claiming to be exhaustive, the essays in this volume represent a significant selection of this range of subjects and perspectives: the relationship and the comparison between cinema and contemporary visual arts as well as their respective theoretical-cultural backgrounds; the macro-themes of time and space, even though with very different acceptations (repetition, memory, speed, site, landscape, etc.); intertextuality, transtextuality, intermediality; the methods of reusing and reworking film images for experimental arts and for new digital media; the space of the museum and cinema in the museum. The Cinematic Experience: in light of the way in which languages, artistic procedures and media, have by now become inextricably interwoven, that of cinema is an all-round experience, which crosses the very boundaries – physical and abstract – of the concept of cinema itself as it undergoes a process of total redefinition. Essays by: Yves Abrioux, Andrea Bellavita, Tanguy Bizien, Alice Cati, Rinaldo Censi, Bruno Di Marino, Francesca Esposito, Térésa Faucon, Maria Finn, Massimo Galimberti, Hampus Hagman, Joana Hurtado Matheu, Cezar Migliorin, Lúcia Ramos Monteiro, Julia Noordegraaf, Cristiano Poian, Cosetta Saba, Marco Senaldi, Antonio Somaini, Deborah Toschi, Andrew Uroskie, Emilie Vergé, Andrea von Kameke, Sun Jung Yeo. Edited by Alice Autelitano. ALICE AUTELITANO has obtained her Ph. D. in Audiovisual Studies at the University of Udine, where she teaches “History and Methodology of Film Criticism”. She has edited The Five Senses of Cinema (with V. Innocenti and V. Re, Forum, 2005), Narrating the Film. Novelization: From the Catalogue to the Trailer (with V. Re, Forum, 2006), Dentro la critica. Testimonianze, materiali, analisi (with R. Menarini, Transmedia, 2007). She has published Cronosismi. Il tempo nel cinema contemporaneo (Campanotto, 2006) and essays on contemporary cinema and Italian episode film of the 60s and 70s. Her current research focuses on intermediality in Italian popular cinema of the 1960s. She is a member of the editorial staff of CINÉMA &Cie. International Film Studies Journal and Cinergie. Il cinema e le altre arti . |